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Vivian Kenway, a young Englishman from an aristocratic background, flunks out of Oxford, and decides to use his considerable charm to achieve his goal of, apparently, making dissipation his career. His derelictions include seduction, betrayals of sweethearts, family and friends, and Marriage for money. All this with no signs of remorse or redemption, since his life as a completely unprincipled rake is quite enjoyable...for him, at least. Then, World War II breaks out and he is given a chance to die a heroic death for flag and country. Maybe.

This lavish, cinematic realisation of Stravinsky's neo-classic masterpiece, performed in English, is filmed both in studio and on location. The imaginative richness in the music is complemented by costumes and sets which are, by turn, exquisitely garish and darkly grotesque to intoxicating effect.

The Rake's Progress is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings A Rake's Progress (1733–1735) of William Hogarth, which Stravinsky had seen on 2 May 1947, in a Chicago exhibition. Filmed in Aix-en-Provence, 1992.

A machine that turns stones into bread, a bearded lady, a mental hospital and love. This is a journey down a delightfully dark spiral into the mind of a Tom Rakewell. For Tom, the combination of being lackadaisical and greedy is dangerous; and he learns the hard way. He is madly in love with the kind-hearted Anne Trulove, but there’s a hitch – her father wants Tom to have a job, but Tom feels he is not cut out for a life of drudgery! Fortunately, the diabolical Nick Shadow shows up and announces an opportune money inheritance from an obscure uncle, so Tom goes to London in search of happiness… and meets madness on the way.

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A young accountant from a provincial settlement suffers from the tyranny of his mother and is looking for an answer to the reasons for his father's suicide. The desire to change the direction of his life pushes him to flee to Moscow, where by the will of fate he finds himself in the life of an underground casino.

Turtle's Progress is a British television series broadcast between 1979 and 1980. The offbeat humour of the show attracted a small but cult audience, and the show only ran for two series.

A personal take on working with Harold Pinter via intimate conversations with actors, directors and writers who share their experiences of the man and his work.

A documentary about Nikolaus Lehnhoff's 2004 production of Wagner's last opera, Parsifal, at the Festspielhaus Baden-Baden. Interviews, behind-the-scenes footage and clips of the live performances provide a documentary analysis of the opera on the quest for the holy grail.